I have the revision notes for the work-for-hire manuscript I’ve been ghostwriting. I am overwhelmed. I am wanting to revise this and make it good. But I am still digesting the notes. Compliments go a long way with me, yes, so when I feel freaked out I just read the editor’s first paragraph where she says nice things. Then I move on to what else she says and my mind scatters. Passing through my mind under pressure of revision are various items of interest. I’ve catalogued them as follows:
A
ass: This is a word I should not have used in the above-mentioned manuscript. This is a word that just spilled out as I was writing. This is a word I knew I’d have to edit out later, but I was so behind, I told myself, so far past deadline, such an ass of a writer I just figured I’d deal with it later. Hello! If the editor’s reaction to this is any indication, it was a big mistake to keep this one little word in.
B
bitch: This is another word I should not have used in the above-mentioned manuscript. Can you see a pattern starting to form here?
C
contract: This is the thing I was told I’d be seeing next week for my first original novel to be published under my real name. A novel I am not ghostwriting. A novel that will really be mine. Once I see the contract, it will be real. I am excited for it to be real; I am nervous for it to be real; I am not sure how I will feel once it is, in fact, real.
D
dumb: This is how I feel for not taking the time to get the manuscript I’m ghostwriting in better shape (i.e., making cuts before sending it in too long, though I knew I’d have to do it later, and removing the asses and the bitches and the hos—yes, I said hos, there was one use of the word ho in dialogue and I knew I should change it and didn’t because I thought it was funny and I am, oh what is the word? dumb.)
E
e: While all this is happening I have to note that my e is sick and I think it might be strep throat.
F
forty thousand: That’s how many words I have to get to—four thousand more to cut.
G
gah!: This is my incoherent reaction whenever I flip through the manuscript-to-be-revised and see all the comments on the pages.
H
help: This is what I wish I had right now.
ho: No explanation required.
honey and lemon: This is what I want to mix for e’s sore throat when I get home tonight.
I
innocence: This is what the editor said I should think of when revising the work-for-hire manuscript. It’s a very helpful note. The characters need to be more innocent. The situations more innocent. The dialogue more innocent. Innocent, think innocent.
IRS: I will send the check tomorrow. Really. I am innocent!
J
jukebox: This is what I’m listening to as I write. I love the cover of “I Feel.”
K
klutz: See the listing under M.
L
lucky: I feel so very lucky to have the opportunity to write a real novel after this one is done. I have to keep this in mind as I work through the revisions. I have to use it as motivation. Can’t let myself forget.
M
mercury poisoning: This is what e and I are in danger of having after I dropped the mercury fever thermometer on the bathroom floor Friday night and it shattered everywhere and e (who was the one with the fever) picked up all the mercury beads one by one and cleaned the floor because he didn’t want me to get exposed. He didn’t get mad or anything even though I am a complete and total klutz.
N
never: I will never, ever buy a mercury thermometer again.
O
old movies: These are what I will soon be watching in a great glorious marathon of black-and-white goodness to inspire me to continue writing the novel I really can’t wait to continue writing. I’m sure I’ll talk more about why classic old movies are such inspiration for the book soon enough. Last old movie I watched for inspiration: Naked City. Next on the list: something starring Rita Hayworth.
P
post office: What is it about the post office on a Saturday afternoon that brings out the inner gorilla in people? They roar. They snap. They practically pound their chests in rage if the person ahead of them in line takes too long. This is where I spent close to an hour yesterday, mailing out a fellowship application. I didn’t mind. Any application out in the world is one more good thing that could happen.
Q
quitting: This is what I’ve fantasized about doing, teasingly, because I would never do it. Never. I will never give up. I’ve almost given up before and I’m glad I didn’t. I was right to keep on.
R
robitussin: This is what I have to buy at the store for e before I come home. We’re almost out.
S
southern california: This is the place that keeps calling to me. Sometimes I think it will solve all my problems, but it won’t now, will it?
T
tin house: This is a reminder to myself to revise that short story for my summer workshop this July. Just as soon as the revisions are done I can do this…
time: This is what I usually don’t have enough of, but with my deadline for the novel in the fall, I actually have the time—a perfect amount of time, it seems—to write this book and make it good. I will not be taking on freelance projects during this period, either. Time, it waits for me. Time, it’s mine soon enough.
U
useless: This is how I feel right now. I’m worried about e. I’m overwhelmed. I want to pound out the revisions, but I can’t seem to move as fast as I want to.
V
vacation: In fact, this is where I wish I was, right this very minute.
W
work-for-hire: I must face what I am doing; I have been hired to write a book that lives in someone else’s head. I have to do what they want, whatever that may be. Point taken. But this might be my last work-for-hire for a very, very, very long time.
X
x’s: These are found often on the first draft of ghostwritten manuscript, because my word count was over. Much to X out, much to lose. If only that were all I needed to do to get this thing done.
Y
yes: This is the word I am hoping to hear from the fellowship application I sent out yesterday.
Z
zero: This is the amount of work it feels like I’ve gotten done on the revision so far. Because, so far, I’ve read all the notes. (There are many notes.) I’ve read the revision letter. (It is a long letter.) I’ve thought about one of the characters and how to make her a nicer person. I’ve thought about the plot. I’ve thought about what to cut. I’ve thought a lot. I’ve rewritten a scene in the first chapter. I’ve cut a whole chapter. But, still, if I look at what is needed it feels like my current progress is only 0%. All I can do is keep moving ahead.